
PURSUIT | DELOITTE
The Shield
Some clients do not need a partner so much as proof that you understand what is at stake. The proposal had to carry weight before anyone read a word.
ROLE
Creative direction, art direction, photography, illustration, print production
DELIVERED
A pursuit at this level ran six months to a year and produced a system, not a document. Websites, printed books, digital delivery, presentations, a constant stream of meeting materials, and pieces that had no precedent.


The Work
The company's entire business was protection. We took that one word and kept narrowing it until it stopped being an idea and became an object: a shield, and the armor around it. From there the framework was Greek. Warriors, and Athena for strategic protection, vigilance, and the wisdom to know when to act.
The writer on the team was a classical art historian who spent her summers teaching and studying in Greece. The imagery drew on her own photographs (along with stock photography) from that work. Armor, sculpture, sun-bleached columns.
Printed off-size, clean and spare, the proposal stood apart before a single page was turned.
Every name, face and line of copy in the Deloitte work shown here has been replaced or obscured. What survives is the design, which is the part I can show you.
THE CENTERPIECE

Protection is a very old idea.
We went back to where it was first drawn.
What made it hard
The client needed to see character, not just capability. A team that understood the gravity of the work and could match it. Nothing in a standard proposal does that.
constraints
Every competitor would promise the same thing
Seriousness is easy to claim and hard to show
The standard images, a lock or a safety icon, would read as hackneyed
The document had to land before page one




What lasted
The proposal received a firm-wide commendation from senior leadership.
The concept came from outside the engagement entirely, which is exactly why it fit. A picture only holds if it is the right one. Finding it is the job. That is still how I work.
This is how I work with founder-led businesses now. An in-house creative director, without the cost of hiring one.
Not meant for anyone else.
Brand, website and systems built for your business and no one else’s.
